In Vogue: The 90s (Disney+ & HULU)
Wham! (Netflix and Cinemas)
Wizkid: A Day in the Live (Youtube Originals)
Jazz 625: The British Jazz Explosion (BBC)
Brian Johnson Meets Dave Grohl (Sky)
I’m an Archive Producer / Producer with recent credits on In Vogue: The 90s, BAFTA nominated and winning Wham! and Bros: After the Screaming Stops.
My speciality is digging for obscure and hard-to-find archival material to help bring stories to life on screen.
In Vogue: The 90s (Disney+ / HULU)
Raw / Vogue Studios- 2024
"Anna, sorry to ask but would you mind awfully taking your sunglasses off?" asks a nervy background voice as the editor of Vogue magazine sits down. "No," she says firmly, "I'm gonna wear them." Anna "Nuclear" Wintour is in charge and woe betide anyone who forgets it….And everyone has shown up for her. Naomi Campbell, Linda Evangelista and Claudia Schiffer bring old-school glamour, Sarah Jessica Parker, Victoria Beckham, Nicole Kidman supply star power and Kim Kardashian drawls that Wintour is *just this, like, chic, strong boss woman". Critics Choice - The Times
Wham! (Netflix/Cinemas)
BAFTA nominated - Venture Land - 2023
“…the film, which creates a dialogue between recent interviews with Ridgeley and older archive recordings of Michael, pays tribute to the close bond between the two Bushey Meads school friends who found themselves living the dream. But it also explores the cost to the then closeted Michael of the teen heart-throb persona he was forced to wear along with his canary-yellow Fila tennis shorts.” **** The Guardian
Wizkid: A Day In The Live (Youtube Originals)
Electric Robin - 2020
‘A Day In The Live’ of Wizkid‘ has, so far been the highlight of Wizkid’s post album promotion, as we are secured an exclusive, never-before-granted, all-access pass into Wizkid’s life.’ - Native Mag
Jazz 625: The British Jazz Explosion (BBC)
Somthin Else - 2020
“The BBC’s 1960s jazz programme returns for a one-off special celebrating the recent resurgence of the genre by a community of young Londoners, largely educated through grassroots organisations rather than conservatoire traditions” - The Guardian